2013 Exhumation: Robots want your love.

I’m unearthing a unpublished draft post written in reaction to the announcement of Google Play All Access from 2013.  I recall thinking of “Tyranny of the Majority”, “Dunbar’s Number” and “The 90-9-1 Principle” and the notion that communities of unpaid music curators are rare, fragile, precious and worthy of preservation. The thing is, what Google was promoting… Continue reading 2013 Exhumation: Robots want your love.

Post-Rdio

As far as I can discern, ex-Rdio, ex-MOG, and ex-Lala citizens are struggling to share their music discoveries. They’ve migrated to Spotify, Deezer, Apple Music or whatever, but it’s so painfully obvious those platforms have no interest in letting that band get back together. None of those platforms afford any notion of community. So I’m… Continue reading Post-Rdio

​Please enjoy ​Roberto Capocchi playing​ “Loro” by Egberto Gismonti​.​

I’ve known Roberto for a few years via a mutual friend and as such I knew some of his wonderful qualities, but until recently was totally unaware of the depth of his musical artistry. Exhibit A is his performance of Loro, composed by Egberto Gismonti. I believe this performance is especially noteworthy. The original is a… Continue reading ​Please enjoy ​Roberto Capocchi playing​ “Loro” by Egberto Gismonti​.​

What is this Kawaii Metal?

I’ve seen lots of stuff I don’t understand but this particular video has me prisoner because I believe it signifies something of import. Yes, it is a mash-up of Death-Metal, Kawaii, millisecond edits, Jesus, teen-fetish, and intricate over-loaded hand gestures. It may play out as an ephemeral trans-cultural fad. However, I ponder why this artifact came to… Continue reading What is this Kawaii Metal?