Decoding a 1990s Legacy

On December 19th 1989 a song in four keys with 18 key changes was released as a single by a major label. It was recorded with a simple drum machine track and a bunch of synth tracks. The lead vocalist’s instrument was the accordion. It wasn’t Al Yankovic.

It peaked at #6 on the Modern Rock Tracks chart in USA despite sounding nothing like Nirvana, Sonic Youth, or Radiohead. It made #6 on the UK Single charts alongside of Madonna, De La Soul and New Kids on the Block,

Using completely different instrumentation, it was performed live with Doc Severinsen and the Tonight Show Band at 10BPM faster than in rehearsal.

It was They Might Be Giants (TMBG).

A short list of creators who have publicly cited TMBG as being influential in their work:

  • Lin-Manuel Miranda (cites TMBG as a favorite artist)
  • Terry Pratchett (references to TMBG in the Discworld series)
  • Will Toledo (Car Seat Headrest)
  • John Darnielle (The Mountain Goats)
  • Chris Carrabba (Dashboard Confessional)

Their theme song “Boss of Me” for Malcolm in the Middle won a Grammy Award.

If you’re tight on time, and not been exposed to Flood, at least listen to the 46 second track: Minimum Wage and Istanbul (Not Constantinople) at 2:33.

Otherwise take 43 minutes to hear all of Flood.

Jon Brion on Songs vs. Performances

Jon Brion

In 2006 whilst on a relatively rare appearance outside Los Angeles, Greg Kot & Jim DeRogatis of SoundOpinions interviewed Jon Brion.
The Full Show • Interview with Jon starts at ~ 20 minutes in. See also the Footnotes.

TL;DR edited version: An illustrated YouTube excerpt of  Songs vs. Performances

Cross Bones Style • Cat Power

Inspiration for the song is said to be from Chan’s visit to South Africa where she met children orphaned by the diamond trade.   However, she didn’t write the song until later.  From Wikipedia (emphasis mine): 
Marshall wrote “Cross Bones Style,” along with five other songs from Moon Pix, one night in the fall of 1997, after awaking from a hallucinatory nightmare while alone in the South Carolina farmhouse she shared with then-boyfriend, Bill Callahan. “My nightmare was surrounding my house like a tornado,” she explained. “So I just ran and got my guitar because I was trying to distract myself. I had to turn on the lights and sing to God. I got a tape recorder and recorded the next sixty minutes. And I played these long changes, into six different songs. That’s where I got the record.”
Oh to be struck by such a muse. 

Listen on Rdio Cat Power • Cross Bones Style